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Audio Book News
By Jonathan Lowe


February 2010

AUDIO BOOK REVIEWS
by Jonathan Lowe

Death. We all face it. What can you do about it? Well, you can get up off the couch, put down that soda and chips, and go jogging after a meal of veggies and vitamins. (Hopefully with an imaginative audiobook). Still, though, you will face death eventually. (Incidentally, the argument "why bother, then?" is the same as saying "death—the sooner the better." Plus my mother also informs me, at age 93, that the reason she's still around is "pickled beets," although changing her bed pans is no longer as much fun.) What to do about death, then, instead of obsessing over it, or fearing it? Try laughing at it. That's just what Thomas Cathcart and Daniel Klein do in their new audiobook HEIDEGGAR AND A HIPPO WALK THROUGH THE PEARLY GATES. Heideggar, as you may or may not know, is an existentialist philosopher. The authors of this new audiobook (which they also read) are former Harvard philosophy majors who, respectively, either dropped out of divinity school or wrote jokes for standup comedians. Their last book was Plato and a Platypus Walk Into a Bar. What better way can there be to face your fears than to laugh at them? You can also talk about your death and philosophy in general, which the authors also do here, with examples taken from history, science, and religion. (Random House Audio)
It's a mystery why Michael Crichton's last novel (he died in 2008) is not a science fiction epic, but perhaps he was just having fun. We'll give him that. PIRATE LATITUDES is a swashbuckling tale set in Port Royal, Jamaica in 1665, and follows Capt. Charles Hunter, a "profiteer, not a pirate," as he and his hired cutthroats attempt to commandeer the booty aboard a Spanish galleon moored in the bay of a small, protected island while it awaits an escort back to Spain. John Bedford Lloyd narrates the action, giving the barbarous characters all the melodramatic touches they need to work within their range of stereotype. (Harper Audio)
Elizabeth Gilbert, author of Eat, Pray, Love, has a new audiobook out titled COMMITTED: A SKEPTIC MAKES PEACE WITH MARRIAGE. If you'll remember, at the end of EPL Gilbert had fallen for a Brazilian Aussie living in Indonesia (there's a combination) who was later detained at the U.S. border, where Gilbert was told that she either had to marry him or he could never enter the U.S. again. So the couple embark on a tour of Southeast Asia for ten months while they contemplate the prospect of an institution which has claimed many lives in the past (ie. marriage), including their own (both are victims of divorce, having sworn never to remarry.) What she does here, with unique effect, is tally all the pros and cons of the institution by examining historical data and personal experiences in an effort to come to terms with her forced legal union. Gilbert was a journalist about masculinity for GQ, and also author of the National Book Award nominee The Last American Man, plus Stern Men, a novel about a woman who joins a feud among lobstermen in Maine. She narrates Committed herself as a first person memoir and travel journal with a candid masculine demeanor and equally feminine sensibilities. (Penguin Audio)
Next, actor Stacy Keach reads Mike Hammer's THE LITTLE DEATH, a full cast audiobook which is difficult to produce but a joy to listen to. The series, as you know, is by Mickey Spillane, one of the most prolific of mystery writers, while Keach, a veteran film and stage actor, once played the character on television. Spillane died in 2006, so this story was completed from a draft by the author of Road to Perdition, Max Allan Collins. The plot involves a damsel in distress, a gumshoe targeted by two-bit hit men, and an underworld kingpin who's missing a wad of cash. At two hours, it's the length of a movie, so you can exercise your imagination here while considering it an "audio movie" that you don't have to sit still for while you watch with your mind's eye. (Blackstone Audio)
Finally, Dominick Dunne's Gus Bailey returns from People Like Us with his new and last novel TOO MUCH MONEY, in which Gus, like Dunne, is dying of cancer, and also—like Dunne—is a society columnist whose examination of the rich and famous once again gets him into trouble. The plot revolves around a lawsuit from a slandered politician, and the suspicious death of a billionaire. A longtime Vanity Fair writer, Dunne was familiar with the snootiest of the jet set, and here, as usual, he creates fiction using brush strokes taught him during his time writing exposés on the New York elite. Actress Ann Marie Lee gives a careful yet buoyant performance to float these eccentric characters like Titanic survivors over a sea of red ink, oblivious to the cries of those not lucky enough to merit a lifeboat. (Random House Audio.)

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