December 2011
AUDIO BOOK REVIEWS
by Jonathan Lowe
An Army CID warrant
officer is sent to investigate a military family's murder
in a West Virginia mining town in ZERO
DAY by David Baldacci, an offbeat police
procedural narrated by Ron McLarty and Orlagh Cassidy.
The efficient use of two narrators to cover the male and females
voices is appropriate and effective, given the dialogue-heavy
text. Cassidy is particularly adept at accent and tone to
differentiate her gender's characters, and the banter between
her main character Samantha Cole and McLarty's John Puller
convince the listener with its ease and authenticity. Occasional
sound effects are added to highlight the action scenes, as
in explosions or fights, while the plot twists are never telegraphed
by the author or the narrators, making an engrossing experience
for what might have been a formula suspense in lesser hands. |
Next,
fear can make a man do strange things, have odd dreams and
recollections. . . especially when that fear has led him
to abandon his children. Yet Cal has not forgotten them,
nor does he want to shirk his responsibilities. Rather,
he attempts to understand himself and the monumental task
of parenthood in an age when trucks roar through school
crossings and pedophiles lurk online, seeking prey. BOOK
OF DAYS by Steve Rasnic Tem has elements
of horror, fantasy, and even romance to it, but it's really
a poetic homage to childhood itself, when we conjured entire
worlds out of sticks in mud, and the future held limitless
promise. Cal, returning to his own childhood memories, chronicles
his own personal calendar, making spontaneous, visceral
connections between past events in aid of present understanding.
People, particularly dead writers, inform his awareness
of his fear. You will not be shocked by any of it. Rather,
you will nod acknowledgment of empires in the clouds which
were your own, and are now your child's gift. Prepare for
an unusual experience that is also, in a magical way, familiar.
Narrator Nathan Lowell is ideal to voice
the character, as he possesses the right sense of timing
and tone, knowing just when the sentences need to flow together
like a poem. |
AMERICAN
DESPERADO by journalist Evan Wright
is the chronicle of "Cocaine Cowboy" Jon Roberts,
the man most responsible for the transport of the drug into
America during the Medellin Cartel's heydays in the 1980s.
Besides being a smuggler, Roberts was also an assassin during
the Vietnam War, and was then recruited by a Republican
Congressman and the CIA to fly guns to rebels into Nicaragua.
Roberts, an admitted sociopath without feelings, also displays
classic signs of the psychopath, including a need to brag
about and exaggerate his exploits. Wright attempts to verify
the conversations he had with Roberts, with only partial
success. So we are left to believe the account or not. Certainly
Roberts is evil, repeatedly saying how evil is "stronger
than good"(a motto learned from his father, who coldly
killed a man in front of him as a child to show him "the
way.") But oddly, while trying to convince us he's
one of the worst human beings to ever live, (witness his
murder of children, skinning people alive, firebombing houses,
not to mention the relish he takes in describing how best
to disable a victim quickly by cracking a knee and stabbing
an eye), he occasionally claims to regret his choices, hoping
his son doesn't become like him. This is certainly one of
the most disturbing books ever written. Tour guides into
Roberts' heart of darkness include Erik Davies,
Mark Deakins, and Christina Rooney, among others,
all of whom enhance the text with appropriate seriousness
or flippancy of tone, showing how morally clueless a sociopath
is, and also how dangerous to those who underestimate his
charm.
|
THE
HISTORY OF WESTERN ART is a broad view of art history
by Renaissance man Peter Whitfield, who covers
the subject from ancient times to the modern dilemma of defining
what art is. An intriguing connection between past ideals
& beliefs, and our current estrangement from the natural
world is discussed, as modern deconstruction has led us into
a box canyon of perpetual revolution without agreed upon parameters.
It's all covered in four CDs, including commentary on architecture,
architects, and artists, and is read by Sebastian
Comberti, with classical music accompaniment.
|
Finally,
BACK
TO WORK is Bill Clinton's version of
Obama's THE
AUDACITY OF HOPE, with solid economic advice and an
appeal for national cooperation. Although Clinton's one
big economic blunder was to sign into law a Republican repeal
of the Glass-Steagall Act in 1999, which allowed investment
banks to trade in mortgage backed securities (and led to
the 2008 collapse on Wall Street), he admits to this mistake,
and now urges us to learn from our mistakes and move together
toward a solvent economic future, as was the case during
his administration (until
it was derailed by Bush's war and Greenspan's spendthrift
ways). As usual, and particularly now, Clinton sounds honest
and smart, despite the fact that history has shown him to
have the heart and soul of a politician (meaning he will
say and do whatever it takes to look good.) Given our current
disastrous economy, in fact, most people today would care
not a wit about his personal life, and would vote him into
office again in a heartbeat over all contenders--Democratic,
Republican, or Tea Party. |
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