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| Introduction
Submitted to MyShelf.Com In 2001, just a month after I had received my first-degree initiation
into Freemasonry, my wife and I took a trip to England. Our hotel in
London, as it turned out, was within walking distance of Freemasons'
Hall, the imposing stone headquarters of the United Grand Lodge of England,
the administrative body overseeing English Masonry.
Normally, public tours of Freemasons' Hall are provided daily, but
by happenstance the tours were not available on the day we first visited
there. It was the day of the Grand Lodge's quarterly communication,
when representatives from lodges and provincial bodies around England
meet to take care of business. Do come again another day, we were told,
and you'll be able to take a tour.
And then a most curious sight unfolded before our eyes as we turned
to leave and stood at the top of the steps leading down to the street
from the side entrance. A series of black taxicabs pulled up to the
curb in front of Freemasons' Hall and proceeded to emit nearly identical
passengers: the proverbial Men in Black -- men dressed in black suits
with black neckties, all carrying black briefcases. The men -- all Masons
-- ran up the steps and through the doors of Freemasons' Hall as more
taxis arrived, emitting more Men in Black.
Was this real life, or had we somehow stumbled into a scene from
a Monty Python movie? To our American eyes, it was an almost comical
sight, but I also felt a tiny shiver go up my spine. Masonry has been
accused by some of being a cult, and the scene before us didn't exactly
disprove the accusation. What had I gotten
myself into, exactly?
It didn't take long for me to deconstruct the strangeness of the
Men in Black episode. The quarterly meeting was about to begin. The
arriving Masons had likely taken trains into London and caught cabs
to take them to Freemasons' Hall. Most London taxis of that era were
black, for reasons having nothing to do with Masonry. Unlike much of
American Masonry, English Masonry has had a simple but narrow dress
code for its meetings: white shirt, black suit and tie. (In a culture
still given to subtle class distinctions such as old school ties, the
requirement of a simple black tie for all can enhance the feeling of
brotherhood.) And the black briefcases? Those were actually apron cases, in which brethren keep the ceremonial
aprons that are worn during Masonic meetings. (The aprons commemorate
the workmen's aprons used by the stonemasons, the supposed ancestors
of modern Freemasonry.)
However, it would be a matter of years before I was able to answer
the deeper question of what I had gotten myself into.
There are any number of legitimate questions that arise when one
tries to grasp what Masonry is. Is it really a secret society -- and
if so, why all the secrecy? Where did it really come from? What's with
all the ritual and regalia? Why the grandiose titles and honorifics?
What's with the proliferation of degrees and orders and interrelated
Masonic side organizations? And, when all is said and done, what's the
point of all this rigmarole? Is there some secret payoff that justifies
the enormous amount of time and effort that has been spent over centuries
in maintaining this enigmatic institution?
Because the answers to these questions are not self-evident -- even
to some Masons, and especially to non-Masons -- a barrage of pseudo-answers
has too often rushed in to fill the void. Some of these, such as the
imaginative speculations of "alternative historians," are harmless enough,
at least if they aren't mistaken for historical facts. But other explanations,
especially those of hostile anti-Masons, are dangerous, not merely to
Masons but to society at large. The Nazis rose to power in Germany in
part by scapegoating Jews and Masons, while in the present era Masonic
lodges have been the target of Islamist terrorists. Dark accusations
about Freemasonry as a satanic cult or a tool of a hidden power elite
may be bestsellers for many publishers, but such pseudo-answers poison
the well of public knowledge with delusional claims and paranoid misinterpretations.
Of course, everyone loves a good yarn, which is partly why Dan Brown's books have been so popular. Secretive brotherhoods can be excellent devices in suspense thrillers, but novels are, by their very nature, fiction. A novelist can make those links that raise the hair on one's neck, and a good writer can make you believe them. But once the novel is over, it is good to do a reality check. They say that truth is stranger than fiction. Let's see if that's true. The above is an excerpt from the book The Masonic Myth: Unlocking the Truth About the Symbols, the Secret Rites, and the History of Freemasonry by Jay Kinney. The above excerpt is a digitally scanned reproduction of text from print. Although this excerpt has been proofread, occasional errors may appear due to the scanning process. Please refer to the finished book for accuracy. Copyright © 2009 Jay Kinney, author of The Masonic Myth: Unlocking the Truth About the Symbols, the Secret Rites, and the History of Freemasonry THE
MASONIC MYTH Author Jay Kinney, author of The Masonic Myth: Unlocking the Truth About the Symbols, the Secret Rites, and the History of Freemasonry, is coauthor of Hidden Wisdom: A Guide to the Western Inner Traditions. For fifteen years, he was publisher and editor-in-chief of Gnosis, the premier journal covering esoteric traditions and spiritual paths. In addition, Kinney is a member of Mill Valley Lodge #356 and Mission Lodge #169, F&AM, in California; a member of the York Rite; and a 32° KCCH in the Scottish Rite. He has twice been a speaker at the California Masonic Symposium, and is a recipient of the Albert G. Mackey Award for Excellence in Masonic Research. He has extensive contacts within Freemasonry and, as librarian and director of research for the San Francisco Scottish Rite, has access to many resources and Masonic records that have eluded most popular writers on this topic. |