Interrupted
Aria
By
Beverle Graves Myers
The
exotic, doomed city-state that was 18th century Venice is a wonderful
setting for novels of all kinds and ought (in my opinion) to be
more used. If you feel the same, you will enjoy this tortuous tale
of music, masks and murder. The protagonist, Tito Amato, has returned
to his native city after many years of training in Naples to be
a castrato singer. With him is his best friend, Felice, whose voice
has failed, and he is in search of a cure. But all is not well -
neither at home where Tito's younger sister is in the throes of
some mental agony and his father hides his own secrets, not at his
work in the opera. At the mercy of their aristocratic benefactor,
he witnesses scenes between warring sopranos and rumblings of discontent.
Soon there is a murder, and Tito has to find out whodunit before
Felice is executed.
Having the protagonist tell the tale
does give the author only one viewpoint, but in this case, this
is more than compensated for the immediacy of Tito's pacey telling.
The lid is lifted on the exotic world of Venice and opera, but there
is also the crime to be solved and other mysteries to get to the
bottom of. Tito has to find himself a place in this society, which
loves to hear him sing but despises him for his condition. An outsider
who sees the inside makes an ideal narrator for this alien but fascinating
society. In the wrong hands, this could be a gloomy tale, or overly
dramatic without much substance, but it manages to work on several
levels. The result is a highly compelling, and very enjoyable first
novel, and hopefully part one of a series. I do so love a well paced
book that leaves the reader wanting more, instead of wishing there
had been less!
|
The
Book |
Poisoned
Pen Press |
2004 |
Hardback |
1590581113 |
Historical
Crime [1731, Venice] |
More
at Amazon.com US
|| UK |
Excerpt
|
NOTE:
Review 1 |
The
Reviewer |
Rachel A Hyde |
Reviewed
2005 |
NOTE:
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