Maggie Max was a New York investigative reporter until an article she wrote for Vanity Fair landed her a
job in Hollywood as a member of the Creative Arts Union(CAU). She now is writing a screen play about Mercedes,
a reporter who is her alter ego.
CAU is to meet, to pass on a new contract, but the executive director, Roger Urban, is missing. He is found
dead in the bathtub in an unoccupied house. He is clad only in a red garter belt and bra. Even though she is
surrounded by her current boy friend, Henrik Hudson, a top flight defense lawyer, and her ex-boyfriend, Joe
Camanetti, a homicide detective, and her father, Ulysses Grant, UG, whose recent science experiments jeopardize
the retirement home where he resides, Maggie resumes her investigative role. Despite threatening notes and a
couple of attacks and warnings from Joe and Henrik, she continues to probe the backgrounds of the many possible
suspects.
Hollywood is portrayed as shallow and neurotic. There are lots of stereotypes but the most colorful is
Maggie's gay roommate, Lionel, who is a font of Hollywood gossip. Maggie is beautiful, stubborn, and independent,
not one to be trifled with. As a diabetic, Maggie introduces the reader to the regimen of diabetics.
This is an entertaining, quick read with a glimpse of life in the fast lane of Hollywood.