Alison Entrekin's translation of Portuguese writer Jose Rodrigues dos Santos's 2005 European release, Codex
632, has been an ambitious undertaking. Not only did Entrekin have to retain the meaning within the language of
this novel, but she had to keep the pace and intrigue of the story. The work is well done and natural, though
Entrekin slips into American vernacular once in a while in coversations, surprising me.
Codex 632 is dos Santos's third novel, and one that soon became the first of a series of blockbusters.
The God Formula, which hinges around a lost Einstein manuscript and mixes religion with science, and The
Seventh Seal, dealing with global warming, soon followed to eager readers (although unfortunately neither has yet
been translated into an edition in English). But it is Codex 632 which set dos Santos apart from other
controversial thriller writers, even knocking Dan Brown's Da Vinci Code off the shelves when both books were
released in Portugal the same year.
In this novel, Thomas Noronha, a history professor and expert cryptographer, sets about trying to find out what a
recently deceased professor had unearthed about the discovery of Brazil. Noronha stumbles upon something greater as
he follows the dead scholar's trail into the past of Christopher Columbus. This research takes him to Brazil,
esoteric places in Portugal, and to the Middle East, as he discovers ancient court documents, records, and letters,
all with inconsistencies and the suspicion of forgery about them. There are secret codes, Kabbalistic hidden messages,
anagrams, and cyphers. Distracting him in his research are problems with his marriage, the increasing needs of his
daughter with Down Syndrome, and an affair with one of his female students. Slowly, Noronha reveals a very startling
picture of just who Christopher Columbus really was and why he made that first voyage.
I'm a puzzle enthusiast, and I found the research and puzzle-solving stimulating. This was like a more
reader-friendly version of Baigent, Leigh, and Lincoln's non-fiction book,
Holy Blood, Holy Grail, which
eventually spurred the Da Vinci Code novel, which was obviously more action oriented. Dos Santos is very
thorough, and I would expect some readers would find the research a bit dry. Codex 632 does take the reader
through every small step of the research as Noronha consults with experts or reports to those who are interested in
the results of his task. But the thing that really kept my interest, though I know this is a novel, was a small
author's note which read: "All of the books, manuscripts, and documents mentioned in this novel do exist. Including
Codex 632." Needless to say, I was hooked.
Dos Santos also has an incredible gift for description. As Noronha travels exploring libraries, landscapes, and
cultural and religious monuments, we readers see everything as if we were there with Noronha, even down to foods,
smells, and the way the light hits a particular building.
If you think you know all about Christopher Columbus, dip into Codex 632 and see infinite possibilities.