Death and the Devil
by Frank Schatzing
A friend recently asked me what I look for in a book. Death and the Devil is a tale that forced me to
really think about that, because I shouldn't have liked it for a couple of reasons. It's a thickish doorstop of
a book, which I don't usually have the patience for. Also, I'm a hardliner fan of historical mysteries and
believe that historical accuracy is essential or else it's clearly some other sort of story. This book had an
absolute thud of an anachronism within the first few pages: city gates closing at 10 PM on the dot - on the dot
is a clockface based reference supposedly being used in a time when clocks were rare and inaccurate, and city
gates typically closed around dusk. But I did enjoy it, very much, and despite its length, gulped it down in
practically one extended sitting.
So what do I look for? Character is a big thing, and the hero of this tale is an engaging young rascal of a
thief named Jacob the Fox (for his fiery red hair). He's intelligent, appealing, good company and highly
entertaining to follow around. Following him introduces you to other interesting people, friend and foe. You
won't like them all, but you'll definitely care what happens to them. Following Jacob also keeps you on the run -
this may be a big, thick book, but the story moves. It also, despite more than one example of anachronistic
writing (about which there's the open question of how much is original, how much is the translator), is a tale
with a strong sense of place. You're there with Jacob, then, in that particular orchard tree, watching that
particular murder take place, as immediately as you are running fearfully through those particular streets and
braving the guards in this particular palace to prevent another murder. The combination makes for some great
entertainment.
The story opens with conspirators meeting, and Jacob running away from the butcher - from whom he's just
stolen some sausages - and straight into the washing of a beautiful young clothes dyer. When he subsequently
witnesses the disguised murder of Gerhard Morart, architect of Cologne Cathedral (this bit is based on real life
events), then finds the murdered bodies of his best friend and his whore lover as the killer closes in on him, it
seems that the dyer Richmodis is the only one who can help Jacob hide. Richmodis takes him to her father and
philosophizing uncle, who convince Jacob that the only way he'll survive is to switch to the attack and bring
the murderer to justice. Their investigational chase unfolds in increasing danger against a background of
conflicts, treachery and politics both public and private, along with comedy, romance and wit, ultimately ending
where it began - with a death in the cathedral close. Settle back and enjoy the ride. Recommended. |
The Book |
William Morrow / A Division of Harper Collins |
August 2007 |
Hardcover |
0061349488 / 978-0061349485 |
Historical Mystery [Cologne, Germany 1260] |
More at Amazon.com |
Excerpt |
NOTE: |
The Reviewer |
Kim Malo |
Reviewed 2008 |
NOTE: |
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