I'm a great fan of Gregg Hurwitz and readers here have seen me review many of his thrillers. His most
recent novel, The Crime Writer, combines a hot page-turner with an introspective literary story
that is captivating.
Hurwitz is known for getting first-hand background for a book by going and doing what his characters
do. He's trained with the Navy Seals, ridden with a biker gang, and spent many an hour shadowing police
officers. For this book, Hurwitz drew on what he knows best, the writing process and contacts a crime
novelist uses.
The story begins with writer Andrew Danner waking up in a hospital bed with no memory of how he got
there. He soon learns that he has had surgery for a massive brain tumor and he has been charged with
the murder of his ex-girlfriend. Though Danner soon avoids jail time because of the tumor, his is still
regarded as a murderer (even if he wasn't in full control of his faculties). When another women is found
murdered in much the same way as his ex, and with his DNA on the body and on a plastic drop cloth found
in his trash, Danner tries to prove his innocence of both murders by using every contact and resource he
has. As those doors rapidly slam in his face, his only cohorts end up being a juvenile delinquent, his
editor, and a tried-and-true best friend.
Danner's search for truth and exoneration make a fast-paced mystery, but Hurwitz injects an intimacy
into this work that sets it far above his usual tightly-written, street-real fare. Hurwitz expands the
story with exquisite descriptions of Los Angeles where the story takes place, insightful commentary
about the culture of money, and painfully honest explorations of the life of a crime writer and, most
importantly, those of his tortured protagonist. Hurwitz's portraits of other characters are just as
poignant and real when he describes the closed life of Danner's flamboyant editor, the warm chaos of
his best friend's big family, the creative desperation of a young offender, the angry courage of the
teen halfway house director, and the profound hopelessness of a criminalist dealing with his wife's
pending death.
The Crime Writer is an exceptional read that combines the best of thriller fiction with the
vivid description and interior analysis of literary novels. There were moments when not just an
interesting turn of phrase was placed among the racing story (as Hurwitz is wont to do), but whole
paragraphs and pages of startling images and insights led me off into deeper realms and, frankly,
took my breath away.
The Crime Writer is by far Hurwitz's best work.
Look for his new novel,
Trust No One, coming out this summer.