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Publisher:
Avon Books |
Release
Date: July 29, 2003 |
ISBN:
0-06-050354-8 |
Awards:
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Format
Reviewed: Softcover |
Buy
it at Amazon |
Read
an Excerpt |
Genre:
Romance - Historical - Regency |
Reviewed:
2003 |
Reviewer:
Kristin Johnson |
Reviewer
Notes: Reviewer Kristin Johnson will release her second
book, CHRISTMAS COOKIES ARE FOR GIVING, co-written with Mimi
Cummins, in September 2003. Visit www.tyrpublishing.com to pre-order.
Her third book, ORDINARY MIRACLES: My Incredible Spiritual,
Artistic and Scientific Journey, co-written with Sir Rupert
A.L. Perrin, M.D., will be published by PublishAmerica in 2004.
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Once
A Scoundrel
By Candice
Hern
A
ne'er-do-well gambler wins ownership of a ladies' magazine in a
card game in Regency England, and clashes with the magazine's editor,
an idealist who (gasp) supported the spirit of the French Revolution,
secretly funds schools for illiterate prostitutes, and sniffs at
women's fashion.
Oh,
and this unlikely pair happens to have grown up together. Edwina
Parrish, the feminist reformer and ex-tomboy, is sorely disappointed
in Anthony Morehouse, the dissolute gambler and still-sensitive
boy she once knew. Turns out, Eddie did quite a bit of wagering
when she and Anthony played together. Anthony, who is, of course,
smitten with Edwina, bets her that she can't double her subscriptions
in three months. If she can, she'll own the magazine her aunt started
as an amusing fashionable and gossip rag. For independent Edwina,
this wager is too good to resist.
Anthony's
new magazine, The Ladies' Fashionable Cabinet, is the Marie Claire
or Vanity Fair of its day, minus the fashion reports. Edwina labors
under the illusion that so many of today's feminists still do: you
can't be into the latest high-society or haut ton fashion and still
write reviews on Mary Wollstonecraft Shelley's A Vindication of
the Rights of Women. Fortunately, Anthony, who's feeling the need
to break out of his role of good-for-nothing privileged son, actively
tries to help Edwina---not without a few wagers of course---for
example, appointing as her new editor Flora Gallagher, the Heidi
Fleiss of the day. The notorious courtesan becomes Edwina's ally
and best friend, and even more shocking, Flora, who once happily
served as one of Anthony's rebellions against his father, encourages
Edwina to succumb to Anthony's charms.
Will
Edwina lose the wager by losing her heart to Anthony? Or is the
wager an irrelevant plot device, like the ridiculous and expected
falling-out between Anthony and Edwina just before the hero proves
his love and the heroine realizes her pride (and prejudice) got
in the way? The predictable-but-fun romp into publishing and steamy
romance contains a little gem of wisdom on the merits of both beauty
and brains.
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